Quote:

That post has Simp/Windstock written all over it.



Speaking of which...

This article was also mentioned on ADT recently:

Anti-porn article

THE PERTINENT EXTRACT:

"Let me describe one kind of sex that I’m afraid of. This is a scene from the film “Gag Factor #10” released by J.M. Productions, which boasts that it pushes the envelope in pornography. The company website brags that this gag series, which is going on #17 as of March 2005, offers “The best throatfucking ever lensed.” If you want a sample, the website has pictures and short video clips, under the heading “this week’s victim,” with the promise “new whores degraded every Wednesday.”

In one of the 10 scenes from “Gag Factor #10,” released in 2002, a nagging wife is haranguing her husband and asking why he is so lazy. “Why can’t you do anything?” she asks, going on to insult his intelligence and criticize him because he doesn’t read. She asks him if he even can read, and then suggests Henry Miller, from which she starts to read. The camera focuses on her mouth as she reads, then cuts to his eyes, which look increasingly angry. The film cuts to the woman on her knees as he yells, “Shut the fuck up.” He grabs her hair and thrusts his penis into her mouth. From this point on, we hear almost exclusively from him: “Your teeth feel good you little bitch. Eat that dick. … Are you OK? Are you crying? I love you. I fucking love you. Open that mouth.” He slaps her mouth with his penis. “Open wide. Choke. Open wider, wider. You’re so good baby. Put your mouth on my balls. You treat me so fucking good. That’s why I keep you here. Give me the eyes [meaning, look up at me] while I gag you. … Do you like to gag? Beg for it. Say please. Say please gag me some more. … Your throat is so good.”
At this point, she re-enters the conversation. She says, “Keep going.”

He says, “Good, that’s the fucking answer I was looking for.”
He the flips her over, putting her on the table with her head hanging over edge. She gags several times when he thrusts into her mouth. He holds her by the cheeks, spreading her face apart. She gags but he doesn’t stop. He allows her to catch her breath. Her face is unexpressive, almost frozen.

“I want those tears to come out again, baby. I want to choke the shit out of you,” he says.
He grabs her hair and drives his penis into her mouth. He says: “Suck that dick. Convulse. I want to see your eyes roll back in your fucking head. Yes, I love it.” He asks her if she loves it; she says yes. He ejaculates into her mouth and says, “Spit that cum out. I can’t hear you. What did you say? Don’t talk with your mouth full.”

He walks away and says “Don’t give me any more shit.”
“Gag Factor” is a type of “gonzo” pornography, which is the roughest form available in the mainstream pornography shops and also the fastest growing genre. This scene is more overtly misogynistic than some, but it is not idiosyncratic. The sex and the language in what the industry calls “features” typically is not as rough, though the message is the same: Women are for sex, and women like sex this way.

I am afraid of the sex I just described to you. I’m worried about the physical and emotional well-being of the woman in that scene. I’m afraid of the way in which the men who use that pornography will act in their own lives, toward women in their lives. I am afraid of the world that such sex helps to create.
I am afraid, and you should be, too.

We live in a world in which a woman can be aggressively “throat fucked” to facilitate the masturbation of men. We all live in that world. We all live with that woman in “Gag Factor #10.” She is one of us. She is a person. She has hopes and dreams and desires of her own.

We all live with that woman who finds herself making a living by being filmed in another kind of gonzo film called a “blow bang,” in which a woman has oral sex in similar fashion with more than one man.

In one of these films, “Blow Bang #4,” released in 2001, a young woman dressed as a cheerleader is surrounded by six men. For about seven minutes, “Dynamite” (the name she gives on tape) methodically moves from man to man while they offer insults such as “you little cheerleading slut.” For another minute and a half, she sits upside down on a couch, her head hanging over the edge, while men thrust into her mouth, causing her to gag. She strikes the pose of the bad girl to the end. “You like coming on my pretty little face, don’t you,” she says, as they ejaculate on her face and in her mouth for the final two minutes of the scene.

Five men have finished. The sixth steps up. As she waits for him to ejaculate onto her face, now covered with semen, she closes her eyes tightly and grimaces. For a moment, her face changes; it is difficult to read her emotions, but it appears she may cry. After the last man, number six, ejaculates, she regains her composure and smiles. Then the narrator off camera hands her the pom-pom she had been holding at the beginning of the tape and says, “Here’s your little cum mop, sweetheart -- mop up.” She buries her face in the pom-pom and the scene ends.

Dynamite is one of us. She is a person. She has hopes and dreams and desires of her own.

The women in the movement to end men’s violence have helped society understand that we have to empathize with the victims of sexual assault and domestic violence. We also need to extend that empathy to the women in pornography and prostitution.

Now, please close your eyes. We are going to practice empathy, that most fundamental of human qualities. We are going to exercise our ability to connect our humanity with another, to travel to that person’s world and to try to feel along with another human being. We are going to be human, together.

I want us to think of that scene with Dynamite. One woman and six men. After she has performed oral sex on six men, after six men have thrust their penises into her throat to the point of gagging, after six men have ejaculated onto her, the camera is turned off. I want you to close your eyes and think not about the sex acts but about the moment when the camera shuts off. The men walk away. Someone throws her a towel. She has to clean the semen of six strangers off her face and body and from her hair. This woman, who is a person, who is one of us, who has hopes and dreams and desires of her own, cleans herself off. I want us to think about that moment.

Now, I want you to imagine that the women in that scene is your child. I want you to think about how you would feel if the woman being handed a towel to wipe off the semen of six men were your child, someone you had raised and loved and cared for. How does that feel?

Then I want you to imagine that woman is the child of your best friend, or of your neighbor, or of someone you work with. Then imagine that women is the child of someone you have never met and never will meet. Imagine that women is just a person, one of us, with hopes and dreams and desires of her own. Forget about whether or not she is your child. She is a person; she is one of us.

Close your eyes. Imagine that you are the one handing her the towel. Look into her eyes. We need to dare to look into her eyes and try to understand what she might be feeling. You can’t know for sure what she is feeling. But try to imagine how you would feel if it were you.

We are constantly told pornography is about fantasies. Those scenes I just described are not fantasy. They are real. They happened. They happened to those women. Those women are not a fantasy. They are people. They are just like us.

And after those scenes were put on videotape, the films were sold and rented to thousands of men who took it home, put it into VCRs or DVD players, and masturbated to orgasm. That also is real. Men fantasize when they masturbate, but the men who are masturbating are not a fantasy. Thousands of men have climaxed to the recording of those women being aggressively “throat fucked.” Those orgasms happened in the real world. Those men’s sexual pleasure was being conditioned to images of women being aggressively “throat fucked,” in the real world.

Those specific women and those specific men are part of the world we live in. And that idea of what a woman is, and that idea of what’s men’s sexuality is -- those ideas are also part of the world we live in. None of it is a fantasy. All of it is as real as we are."



Sorry about the long quote but isn't it amazing? It's an anti-porn article that for the most part reads as if it was written by Windsock/Maged. I love it! How's it going "Robert Jensen", professor of journalism at the University of Texas at Austin
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"We're gonna make 'em fit"